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Showing posts with the label how to write

So Proud of My Son

           On September 30, 2022, my son, Ian Kennedy, opened his business, Naughty Axes Playhouse , at 4407 SE 29 th Street, in Del City, Ok. I'm so proud of him. The place looks great. Especially when it was all decked out for Halloween. He and his partners built all the targets, lanes, and remolded the interior of the building themselves. They did a great job. I didn't even realize my son knew how to use a hammer for anything other than demolition. I had such a great time during their Grand Opening. Throwing sharp objects at stationary targets is really a fantastic way to relieve stress. It's great exercise. Especially for tightening up those flabby underarms. I am bound and determined to become efficient enough to enter a tournament. Wonder if they have a Senior's division in pro axe throwing competitions? Not only is he starting his own axe throwing business, he's also starting his career as a comedian. He's already performed at the B...

STOP TELLING. START SHOWING: 102

STOP TELLING us your characters are watching what is happening around them. Watching is a spectator sport. Watching, looking, seeing, staring, glaring, in any form, instead of participating in what is happening, is TELLING. TELLING is BORING.   Stop sidelining your characters. They aren’t in the stands watching what is happening on the field. They are on the field, playing the game, participating in what is happening.   Don’t TELL us they are watching. SHOW them participating.   If they are playing the game, they should keep their eye on the ball. That doesn’t mean you need to TELL us they are keeping their eye on the ball. It doesn’t mean you need to TELL us they are watching the ball. Just SHOW what the ball is doing, and what the character does when they see the ball.   Instead of TELLING: The batter watched the ball coming straight at his face. SHOW: The batter ducked, avoiding the fastball aimed directly at his face. ...

STOP TELLNG. START SHOWING: 101

You have been spending way too much time with WAS. You thought he WAS your friend, your mate, your amigo. You WERE wrong.   He WAS a bad influence. He WAS TELLING your story. Was, Were, Is, Are, and To Be express a state of being. They TELL what something, or someone, IS.   They don’t SHOW what is happening.  They are dull, boring, overused, lazy, and—from this day forth—dead to you.  T hey are like Zombies. They will rise from the dead, infiltrating your document, the moment you relax your guard.   This calls for guerilla warfare.   It is time to wage war on WAS, and his buddies WERE, IS, ARE, and TO BE.  It is time to eradicate them from your vocabulary. Kill them.  Or, at least lock them up, in a deep dark dungeon, and throw away the key.   Your mission is to search your current WIP (work in progress), find WAS, and eliminate as many as possible. Then do the same with WERE, ARE, IS, and other...

It's all about the story.

Whether you write fiction or non-fiction, picture books or erotica, religious or super-natural books, the one thing they all have in common is STORY.   Even a non-fiction book needs to tell a STORY.   If it doesn't tell a story, then it falls into the boring, only going to be read as a requirement, academic text book category. Sometimes writers get so caught up in telling the story that we lose sight of what STORY is really about. Merriam-Webster's Dictionary defines STORY as: 1.       archaic a: history; to narrate or describe in story 2 :   an account of incidents or events b :   a statement regarding the facts pertinent to a situation in question c :   anecdote ; especially :   an amusing one 3. :   a fictional narrative shorter than a novel; specifically :   short story b :   the intrigue or plot of a narrative or dramatic work 4:   a widely circulated rumor 5: ...